Educating for the Public Sphere
Media Rants by Tony Palmeri
From the July 2015 edition of the SCENE
A majority of American adults avoid participation in
public discussion of issues. Given that so much of what passes for public
discourse is infected with the twin poisons of prepackaged partisan talking
points and mindless put downs of opposing views, avoidance behavior should not
be surprising.
Unfortunately, citizen withdrawal from the public
sphere has real consequences. When uncontested bad ideas dominate, policy
makers feel empowered to make them into law.The fact that the 400 wealthiest individuals on the Forbes 400 list have more wealth than the bottom 150 million
Americans combined is a testament to the power of narrow monied interests to
get “reverse Robin Hood” economic policy ideas taken seriously.
How can people become more engaged in solving the
problems caused by an unhealthy public sphere? Clearly education has to be part
of the solution. As a teacher in a Department of Communication at UW Oshkosh
that states as its mission helping students to “find their voice,” I am always
looking for ways to encourage public engagement. The rest of this rant
describes a Seminar I taught in the spring of this year designed to provide
students with some tools necessary to analyze and evaluate discourse in the
public sphere, and hopefully “raise the bar” for such discourse when choosing
to enter that sphere themselves.
The Seminar was called “Rhetoric in Action.” At the
most basic level, rhetoric is the “art of persuasion.” The goal in the course
was to expose students to writers in the public sphere for whom persuasion is
the major purpose for writing. Newspaper op-ed writers represent probably the
best example of the kind of persuaders I had in mind, so I assigned each of the
22 enrolled students a writer that they followed all semester. The assigned
writers were Paul Krugman, Thomas Friedman, David Brooks, Maureen Dowd, FrankBruni, Gail Collins, and Ross Douthat of the New York Times; Leonard Pitts, Jr. of the Miami Herald; Dana Milbank, Eugene Robinson, Kathleen Parker,
Katrina vandenHeuvel, Jennifer Rubin, Richard Cohen, E.J.Dionne, Jr., GeorgeWill, and Charles Krauthammer of the Washington
Post; Meghan Daum and Doyle McManus of the Los Angeles Times; Ezra Klein and Matt Yglesias of Vox.com; and
John Nichols of the Madison Capital Times.
My main criteria in selecting the writers were: (1)
the writer needed to be engaged consistently in writing about major public
policy issues, (2) the writer needed to write for a mainstream source, and (3)
the writer needed to have a substantial following. Obviously many writers meet
those criteria, so I tried to arrive at a balance of liberal, moderate, and
conservative voices. My own familiarity with the 22 writers was also a
consideration; knowing about the writers in advance made it easier for me to
determine if students were representing them accurately in their assigned
papers for the course.
The course
textbook was The Rhetorical Act:Thinking, Speaking, and Writing Critically by professors Karlyn Campbell,
Susan Huxman, and Thomas Burkholder. The writers conceptualize a successful
rhetorical act as one that employs the resources of evidence, argument,
organization, and language to overcome challenges making persuasion difficult.
Those challenges arise from audience (they often misinterpret messages and are
resistant to change), subject and purpose (subjects can be complex and saying
yes to the purpose might cost too much), and the rhetor him or herself (a
writer’s prior reputation might get in the way of accepting his or her current
argument).
Students
wrote many short papers analyzing how their assigned writer tried to overcome
specific rhetorical challenges, leading to wonderful classroom discussions
about public issues and the manner in which mainstream writers frame them. As
the semester went on most seemed to be disturbed by how little the writers
address issues of concern to young people; debt, lack of enough good paying
jobs, and the environment to name just three examples. I found myself reminding
them frequently that the answer was simple: write and speak about the issues
you care about. Make a commitment to the public sphere.
The final assignment was a lengthy paper requiring
the student to evaluate his or her assigned writer based on artistic quality,
effectiveness, accuracy, and/or ethics. These were some of the most intelligent
and enjoyable papers I’ve read in a while. A good number of students were drawn
to the ethical standard, which looks favorably on rhetoric that promotes social
harmony and unfavorably on that which promotes discord. One student told me
that a politiEthics.com website would be more valuable than politiFact. I told
her she should start it.
As a result of this course, one student was
motivated to publish his own op-ed (on the topic of student debt) for the student
Advance Titan newspaper. Another
submitted her final paper (arguing that the NYT’s Frank Bruni weds a sense of
comic, tragic, and history like a modern Shakespeare) to the Oshkosh Scholar journal of student
scholarship.
Like the majority of liberal arts courses offered at
the UW, “Rhetoric in Action” provided students with a meaningful opportunity to
think critically about civic responsibility. Such opportunities make it more
likely that graduates will pay critical attention to what is going on in
Madison and Washington. Perhaps that is why so many politicians want to reduce
the UW mission to mere concern with job skills.
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